THE HOLDOVERS, US, 2023. Starring Paul Giamatti, Dominic Sessa, Da’Vine Joy Randolph, Carrie Preston. Directed by Alexander Payne. 133 minutes. Rated M (mature themes and coarse language).
In the good old days, students who didn’t go home for the holidays were described as ‘staying back’. The Staybackers doesn’t sound like a very good title for a movie. The American, Holdovers, sounds better.
The Holdovers has been nominated for many awards. Giamatti won a Best Actor Golden Globe, and, not surprisingly when we watch the film, Randolph has won more than a dozen Best Supporting Actress awards.
The setting is 1970 at one of those elite boys boarding schools, perhaps not too far from the school in Dead Poets Society. But, the boys we are to look at here have no great yen for learning, let alone poetry. And, the teacher we focus on, Paul Hunham, played with fascinating complexity by Giamatti, might have shared the ideals of Robin Williams’ creative teaching, but has almost given up long since.
Perhaps a better comparison with teachers in the film world might be a Goodbye Mr Chips variation.
When we know that some of the students can’t go home for the Christmas break and that the obsequious headmaster (currying favour with financial donors) asks Hunham to be responsible for the holdovers for two weeks, we are not surprised at some of the turn of events. However, there really are some surprising events which keep us attentive, even to the ending.
The screenplay was written by David Hemingson who has had long experience writing for television. It is often slick, smart, sarcastic and ironic. But, at its core, there is heart. And direction is by Alexander Payne, a strong reputation with films such as Sideways, The Descendants (and his high school drama about an ambitious young student clashing with her teacher, Election).
The thing is that Hunham is a reclusive grump, with a love for ancient civilisations and the ability to quote and refer to Roman and Greek characters. The students dislike him intensely. And, it would seem, he doesn’t like himself all that much. The main student, holdover, is Angus, (Sessa). The surly 17-year-old has been expelled from previous schools and is now abandoned for the holidays by his mother and her new husband. As expected, lots of clash.
The other principal character is the cook, Mary, (Randolph) whose son, an African-American exception student at the school, has just been killed in Vietnam. She is a strong and shrewd character. And, sometimes, she is a facilitator between teacher and student.
As the film continues, we are reminded that we are often secretive about our lives. Gradually, we do learn a lot about Hunham, sadly. And we learn more about Angus, especially in the ever more intense interactions between the two. They are not heroes of the film. They are not villains. There is something of both, especially, to our surprise, as more truth is told – and, altruistically, non-truth is told.
It is good to see Giamatti back on the big screen after so much television (84 episodes of Billions). He is one of the US’ best versatile actors.
Universal
Released 11 January